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In February, 2011 she published her recent book called Dağın Ardına Bakmak (Looking Behind the Mountain) which is her first prose book. In 2010, she published Kader Denizi (Sea of Fate) with the photographs taken by Mehmet Günyeli after the exhibition of Sea of Fate in the prestigious galleries in Istanbul and Ankara. The book is considered by the critics, as one of the best book ever written about an Anatolian city. Through her poetic text and the photos you can see the history of the city form ancient time to present. She has written a history of the city, which is nearly 3000 years old. The book is about the city called Diyarbakir, which is ancestral homeland of Kurdish and Armenian people. May 2009, she has published an album-book called Doğunun Kapısı: Diyarbakır (The Gate of East: Diyarbakir). She created a personal ontology and a personal mythology inspired by the thousands year of Sufi Tradition. In that book, her new way of imagery was considered as mystique. Her last book, İbrahim’in Beni Terketmesi (Leaving of Abraham), published in March 2008, was considered by the critics to be her best book ever. Her translated book in German and French published in Luxembourg by PHİ Publishing House. She has a translated book, which published by ARC in England, called In the Temple of a Patient God. Two further books, appeared at the same time in 2002, Ayın Büyüttüğü Oğullar (The Sons Reared by the Moon) and Onun Çölünde (In His Desert), have been continuing the distinctive language and world of imagery special to herself and her poetry. Her second book, Tanrı Görmesin Harflerimi (God Must Not See The Letter of My Script) in 1999 was warmly greeted.

Her first book, Rüzgar Dolu Konaklar (Winds Howl Through the Mansions), published in 1996, unrelated to the contemporary mainstream of Turkish poets and poetry, won several literary prizes.

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